BATMAN BEGINS review
In May of 1988 I got the script to Sam Hamm’s BATMAN and dreamt of a Batman movie that was to never be. This wasn’t to be a cartoon or a tv show… but an epic Batman movie on an enormous scale. In late April of 1989, I came to Austin to go to college. Moved in with my father and to earn a living and my way through college we began selling our Silver Age and Golden Age comics at conventions all over Texas and all anybody anywhere could talk about was BATMAN. When I finally saw Burton’s BATMAN – I walked out of the theater depressed. It was ok. Hell, it beat the living shit of the last two SUPERMAN movies, it was even a pretty good BATMAN movie… but it wasn’t a hair on the ass of Sam Hamm’s script. Anyone that read that legendary draft, a script that Tarantino has been heard to say it was one of the best scripts he’s ever read. As the subsequent Batman movies strived to be bigger, sillier and cuter… I began to get pissed.
Some of the earliest and biggest coverage that the outside media has ever given Ain’t It Cool News was for the coverage we gave to BATMAN & ROBIN. A film so awful it still forces a reaction out of any and all film & comics lovers. That film was so bad that every time there’s a new superhero film, it’s the monkey on comic film fan’s back… whispering in our ear, “psst… it could be BATMAN & ROBIN bad.”
Like many of you, the second I got my hands on David Goyer’s draft of BATMAN BEGINS – I read it through – and I liked it… Liked it fine. I loved that it got Wayne out of Gotham, that it had Batman as a detective, undercover man, billionaire playboy, shrewd business man… and, um BATMAN. What Goyer nailed was Batman and Batman’s world… what it was that made Batman Batman. What really seemed to be missing was emotion, atmosphere and… for a story involving Scarecrow it didn’t read scary.
Well… I just got out of the BATMAN BEGINS screening and Holy Shit! This is the BATMAN movie we’ve been dreaming of for a long time. I know it is the Batman film I was dreaming of in May of 1988 when I read that script. Batman is scary. He’s scarier than the Scarecrow. Sure, the Scarecrow has his fear toxin… and when you see his face after the toxin got a hold of you… it’s scary, horrific and terrifying… But man… When you’re a corrupt cop upside down looking at a 17 story drop, hanging by god knows what staring into the face of some lunatic in a Bat mask interrogating you with a voice forged out of ****ing hell… I realized… It isn’t the chin or even the eyes that make Batman… it’s that hideous scary as **** voice and that he holds your life on a press of a button – and to that criminal… you have utterly no idea what his ethos is… He’s not in a uniform, he can’t be bought and there’s something utterly unhinged about him. Something insane, methodically insane. This isn’t a jokey Batman… This Batman is all business.
The way Nolan shoots Batman… he doesn’t pull back to show you how Batman does his tricks and torments. Instead he focuses on misdirection, quickness, ferocity and the end result. No longer will you see clumsy half-assed martial arts routines… and one point early in Wayne’s training Liam Neeson, before kicking Bruce’s ass says… “This isn’t a Dance,” when Wayne tries his learnt Kung Fu. Liam’s Ducard takes him down and begins to kick the shit out of him. It’s scary, fierce and unforgiving. And that’s exactly who and what Batman becomes. This isn’t fancy Fred Astaire neatly choreographed fights… This is brutal, tight and mean. Just incredible.
Half the time you never know where Batman is coming from. The focus is on the victim (criminal) instead of the hunter. Sometimes the blackness that grabs them comes from above, behind, beneath, beside… but never where you expect it. The first time Batman is full on hunting criminals is on a dock and this is scary. This isn’t some slow moving lunk in an all white Captain Kirk mask… you don’t see what’s hunting you… you can hear this flapping sound, something heavy moving beyond the edge of light and no matter where you fire, when you stop, you hear that sound somewhere else entirely, then suddenly BAM he’s got you. In many ways, this is a horror film for criminals. A ghost story that scum tells each other late at night… after a job, before a job. And man, I hope to God that somebody at Warners has signed everyone involved in this film on a 20 film contract… cuz this is a fierce Batman movie that just is unrelenting.